Winter Is Coming…

Here’s an update of sorts. Busy seems to remain the flavour of this part of life’s seasons. So, being rather ensconced in my career as I am, I still fill the pockets of free time that I can snatch, with musical creativity. I compose tunes in break times, always gunning for a development in my style and ability to arrange. An hour a night at meddling with my electric guitar is starting to pay off. I’ve been (according to my Instagram page) been practicing for thirty seven weeks. That’s two hundred and fifty nine hours based upon my hour a day regimen. “The path is long” as I’ve been told, I can believe it, but on the whole as each week passes, I gain a little confidence and have found on certain occasions, I have a magic hour where my hands seem to intuitively glide around the fretboard and satisfying metallic shreds occur. Given a little more time, I’ll post something for your anonymous curiosity.

Halloween 2015 has just passed. It got me thinking that I should mark the occasion in some way so I delved into my music files and dug up the first piece of music I created back in 2013. I added a simple visual from the opening sequence of Halloween 3 (An old horror favourite) and uploaded it to Youtube. The piece, as with most of my noodlings, is thought of as a work in progress, as I intend to return to it at some future point and flesh it out a little more. It was always intended to be a track with spoken narrative, mainly inspired by the Bauhaus  tracks ‘Departure’ and ‘Of Lillies and Remains’

In the mean time, I’m refining my ability to 1. Play the guitar parts myself. 2. Develop the guitar melody so that it builds and evolves more throughout the track. That said, I’m still pleased that this first version was the main reason I began this musical adventure, I found that I’d proved an old daydream to be something that would eventually find some substance. So, here’s ‘The Summoning’ a working title that may become something else eventually.

As mentioned, life is busy and it seems all available space is filled perpetually. I’m working in Bristol currently, helping restore an old Victorian hospital so that wealthy people can live there in luxury apartments. There’s a certain irony that the site is immediately adjacent to a massive, crammed block of flats inhabited mainly by the impoverished. As a partial remedy to this juxtaposition of fortunes, a new building is due to be erected that will serve as a visual barrier between to the two classes. One can almost imagine the kind of neighbourly dynamic that may present itself if civilisation reaches the kind of societal boiling point that it sometimes seems we are heading into.

I’ve digressed, what I had intended to mention is that my wife has provided me with access to her Audible – audio books account and recommended gems within. Whilst I perform architectural conservation tasks by numbers, my mind and ears are often operating in a different sphere altogether. Recently I have listened to a magnificent anthology of spooky stories by John Connolly called ‘Night Music -Nocturnes Volume 2’

I’d adored his earlier book ‘The Book of Lost Things’ and subsequently found that the aforementioned audio book was equally, if not more gripping that the previous offering. I highly recommend it and the narration is superb. I found particular delight in a section of stories around the middle of the recording under the heading ‘The Fractured Atlas’ If like me, you enjoy the spooky old yarns of M.R James, H.P Lovecraft and Arthur Machen, then you’ll find your spine suitably tingled by these stories.

Available here.

The next audio book I listened to was ‘The Versions of Us’ by Laura Barnett. A most enchanting love story about two people, Jim and Eva who meet in Cambridge during the nineteen fifties. One of the things I really loved about this beautifully written story was, the way the narrative branched out into different timelines, allowing pivotal plot points to unfold in entirely different directions to each other. It digs deep into the questions I think all of us sometimes wonder “What if I’d chosen to _________ (Insert hypothetical tangent universe question here) Instead of _____________ ? (What you actually did here) What you are left with is a rich tapestry of three vivid narratives of the same couple living their lives through seven decades with all the love, heartbreaks and loss in three entirely different universes to each other. The book saves the reader from the complications of  the ‘why?’, it isn’t necessary. Each story is so luminous with believable characters, dialogue and situations, one just easily accepts the three versions of events as they unfold. It also made me snivel repeatedly during solitary moments on my scaffolding, I don’t mind admitting it.

Available here

Once I’d regained my manly composure, I moved on to Life After Life by Kate Atkinson. In a strangely similar vein to The Versions of Us, this story follows the multiple lives and deaths of Ursula Todd, beginning in the early 1900’s. A very effective plot device takes the reader/listener through a fractal maze of the protagonist’s existence as she lives the same life over and over again branching off at various narrative points to discover the paths that never were or what might have been. She never fully recognises all the other versions of herself that had been before and we never really need to know why. In an age where concepts like the Multiverse and Parallel Universes are fairly well understood constructs, I think Atkinson makes the assumption that the reader will bear these things in mind whilst enjoying the stories. Once again, I was entranced by the richness of the narrative and the growing beauty of the characters as they are slowly revealed throughout their various subtle iterations. As the story takes place over several decades and passes through the Spanish Flu pandemic and two world wars, it creates an often harrowing account of life in both Germany and Britain, particularly during the later war, where we see through the eyes of Ursula as a young woman and consequently see the carnage from an adult perspective. It is both a wonderful story and history lesson.

Available here.

By now, I’ve learnt to carry robust tissues in my pocket whilst listening to these stories. It is a credit to the authors, and narrators that they can reduce a man to a snivelling wreck when he should be focussing on the job at hand.

Listening to the last two stories prompted me to think about life’s ‘What if?’ a little, quickly realising the futility of such lines of enquiry. It did make me ponder however, the recognition  of the transient nature of things and people; our lives in general. I thought of the passage of time and that curious knowledge that comes with having lived a few decades, that there are people you know, that you meet up with for one last time without either party realising that you will probably never see each other again in this life. School friends, ex lovers, occasional family members. Its a funny thing, you say  your goodbyes in such a casual manner, perhaps even say something like ‘see you soon’ and then it never happens. Its like a little death of sorts and I have pondered if we would all act very differently if we were armed with the knowledge of these fateful last encounters?

And then there are those you know you’ll never see again if you can help it, and you’re glad. Good riddance you fucker!

It’s a funny thing, this life…

Said to nobody in particular.

2015

RADIO HIAB-X 2013: Virtual Reality

Virtual Reality 2013 from hiabex303 on 8tracks Radio.

Two thousand and thirteen had its own musical flavour, I seemed to gravitate towards electronic grooves and music that, in my mind, would be the perfect soundtrack for floating around in Virtual Reality to. My enthusiasm for the Oculus Rift VR headset was constantly in the back of my mind, perhaps because I’ve been keen as a gamer to see a true paradigm shift away from monitors and screens into a realm of infinite creative possibilities, something totally immersive. The music from that I discovered in this year stoked my imagination. Enjoy this mix.